This research draws from Şalom, the longest-published Turkish-Jewish newspaper since 1947, to trace the communication strategies of Şalom as a form of minority media. It offers a multilayered analysis of the newspaper's front pages and İzel Rozental's editorial cartoon corner, "Tünelin Ucu"(End of the Tunnel). The content and historical discourse analysis of the selected number of front pages shed light on various intervention and communication strategies used by Şalom during four marking period ...