This book on the musical creation of The Silmarillion contributes to the main philosophical aspects of Heraclitus’s logos, Pythagoras’s music of the spheres, and drawing comparisons between the Ainur and the Greek gods. It documents the musical creation of The Silmarillion, which constructs a preliminary sub-creation of The Lord of the Rings, which serves as the ‘Holy Bible’ of Middle-earth that J.R.R. Tolkien designs from the very beginning of everything. Yet, this is not a dry account of the v ...